The Russian filmmaker talks to us about the mastery and folly of humankind’s relationship with rock, the “emotional depression of boring architecture”, and his take on Megalopolis.

It contains one of cinema’s fleshiest kisses, but also a moment of pure spiritual transcendence. And it’s the interdependence of these elements that makes Carl Dreyer’s 1955 classic Ordet – which is ...

The festival for aspiring filmmakers aged 16 to 25 will be taking place in-venue at BFI Southbank, online globally for free, and in cinemas UK-wide from 20 February to 6 March.