When Julia Fox first appeared in Uncut Gems, she announced herself as a show-stopper. Audiences everywhere were bewildered as to where Josh and Benny Safdie, the sibling duo who often cast non-professional actors,

Josh Gad, who released his memoir “In Gad We Trust: A Tell-Some” on Jan. 14, says his “Love & Other Drugs” co-star Jake Gyllenhaal warned him not to pursue a role in “The Book of Mormon,” the raunchy musical-comedy from “South Park” creators Trey Parker and Matt Stone. “While bouncing back and forth to do …

The "Presence" director/editor/cinematographer/camera operator goes deep on how he cracked shooting an entire film from a ghost's POV.

The actress says she didn't find out about the spirit until after she and her son had already moved into their happily haunted home.

The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into a New Jersey home, not realizing that something was already living there. Critic Sean Burns says it's a great gimmick,

Steven Soderbergh often applies his brainy, process-based approach to new genres; with Presence, he tries his hand at ghost-story horror.

The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.”

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“Presence” is a beautifully executed vision of a rather mediocre script. What makes it interesting is the POV “gimmick,” which Soderbergh demonstrates as a legitimate mode of cinematic storytelling. His camera movements take on such a human quality that we become emotionally connected to it as another character in the story.

What if a ghost could tell its own story but not speak? That is the wildly compelling premise of Presence. Director Steven Soderbergh reteams with Kimi screenwriter David Koepp for an unconventional haunted house story, creating a film that is sharply funny, beguiling, a bit chilling, and ultimately sweet.

Julia Fox has a new look for 2025—and, as usual, she is making a bold statement.